The Comedy of Errors at Shepperton

by William Shakespeare
Conceived & directed by Barbara Gaines
Written and adapted by Ron West

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Hello! My Name is Martine Kei Green-Rogers

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The Comedy of Errors

Info from Idiots Guide to Shakespeare

The Comedy of Errors, five-act comedy by William Shakespeare, written in 1589–94 and first published in the First Folio of 1623 from Shakespeare’s manuscript. It was based on Menaechmi by Plautus, with additional material from Plautus’s Amphitruo and the story of Apollonius of Tyre. The play’s comic confusions derive from the presence of twin brothers, unknown to each other, in the same town. Its twists of plot provide suspense, surprise, expectation, and exhilaration and reveal Shakespeare’s mastery of construction.

Egeon, a merchant of Syracuse, is arrested in Ephesus because of hostilities between the two cities and, unable to pay the local ransom, is condemned to death. He tells the duke, Solinus, his sad tale: years earlier he and his wife had been shipwrecked with their infant sons, identical twins, and a pair of infant servants, also identical twins. The parents, each with a son and a servant, were rescued but then permanently separated. Antipholus of Syracuse, the son raised by Egeon, has for five years been seeking his mother and brother, while Egeon in turn has been seeking his missing son. Egeon’s story wins from Solinus a day’s respite to raise the ransom money.

Meanwhile, Antipholus of Syracuse (with his servant, Dromio) has arrived in Ephesus, not knowing that his brother Antipholus of Ephesus (with his own servant, also named Dromio) is already there. A series of misidentifications ensue. Antipholus of Syracuse is entertained by his brother’s wife and woos her sister; he receives a gold chain meant for his brother and is chased by a goldsmith for nonpayment. He and his servant hide in a priory, where they observe Egeon on his way to execution and recognize the priory’s abbess as their mother, Emilia. The play ends happily with Egeon’s ransom paid, true identities revealed, and the family reunited.

Bevington, David. "The Comedy of Errors". Encyclopedia Britannica, 3 Jul. 2022, https://www.britannica.com/topic/The-Comedy-of-Errors. Accessed 29 January 2023.

World War II

Pritzker Military Museum & Library

Battle of Britain, during World War II, the successful defense of Great Britain against unremitting and destructive air raids conducted by the German air force (Luftwaffe) from July through September 1940, after the fall of France. Victory for the Luftwaffe in the air battle would have exposed Great Britain to invasion by the German army, which was then in control of the ports of France only a few miles away across the English Channel. In the event, the battle was won by the Royal Air Force (RAF) Fighter Command, whose victory not only blocked the possibility of invasion but also created the conditions for Great Britain’s survival, for the extension of the war, and for the eventual defeat of Nazi Germany.

Britannica, The Editors of Encyclopaedia. "Battle of Britain". Encyclopedia Britannica, 5 Dec. 2022, https://www.britannica.com/event/Battle-of-Britain-European-history-1940. Accessed 29 January 2023

Timeline of World War II (1940)

This is a timeline of World War II events that took place in 1940, the first full year of the second global war of the 20th century.

World War II: Crash Course World History #38

“We've all learned the facts about World War II many times over, thanks to repeated classroom coverage, the History channel, and your grandfather (or maybe great-grandfather) showing you that Nazi bayonet he used to keep in his sock drawer and telling you a bunch of age-inappropriate stories about his harrowing war experiences. There are a few graphic images in this episode. Sensitive viewers may want to use caution, especially around the 9:15 mark.”

1940: When Britain Stood Alone In WW2 | Price Of Empire | Timeline

Dogfights over the English Channel in 1940 led to the Battle of Britain and the Blitz. Meanwhile, Italian troops entered North Africa. This epic World War II retrospective expounds

Dunkirk

The Battle of Dunkirk was fought around the French port of Dunkirk during the Second World War, between the Allies and Nazi Germany. As the Allies were losing the Battle of France on the Western Front, the Battle of Dunkirk was the defense and evacuation of British and other Allied forces to Britain from 26 May to 4 June 1940.

British and other Allied troops wading through the water to board ships at Dunkirk, France, 1940.

The Entertainment Industry During WWII

Entertainments National Service Association

The Entertainments National Service Association (ENSA) was an organization established in 1939 by Basil Dean and Leslie Henson to provide entertainment for British armed forces personnel during World War II. ENSA operated as part of the Navy, Army and Air Force Institutes.

The Draft in the UK

27 April 1939

Location: Britain
Outcome: The British armed forces increased in number by more than 1.5 million by the end of the year conscription was introduced.

The Emergency Powers (Defence Act) of August 1938 had empowered the British government to take certain measures in defence of the nation and to maintain public order.

The Defence Act contained around 100 measures aimed at calling up military reservists and Air Raid Precautions (ARP) volunteers for mobilisation. It's estimated that about half a million people also volunteered to join the ARP, the Territorial Army (TA) and the RAF Volunteer Reserve. But volunteers were not enough.

All British men aged 20 and 21 who were fit and able were required to take six months' military training. Even so, when war broke out the British Army could muster only 897,000 men, compared to France's five million.

Another act of parliament was necessary to increase the numbers. The National Service (Armed Forces) Act made all able men between the ages of 18 and 41 liable for conscription; as part of the legislation it was decided that single men would be called to war before married men.

Men aged 20 to 23 were required to register on 21 October 1939 - the start of a long and drawn-out process of registration by age group, which only saw 40-year-olds registering in June 1941.

By the end of 1939 more than 1.5 million men had been conscripted to join the British armed forces. Of those, just over 1.1 million went to the British Army and the rest were split between the Royal Navy and the RAF. - Archived BBC Website

Conscription Poster for UK Service

Brookshaw, Drake and Debenham, Doreen (artist). This is photograph Art.IWM PST 13964 from the collections of the Imperial War Museums.

Race Riot in Liverpool

In the aftermath of the First World War, street protests, riots and strikes broke out in countries worldwide as millions of workers faced unemployment and housing shortages – rather than the promised peacetime prosperity. In 1919, a series of violent riots in Glasgow, South Shields, Salford, London, Hull, Newport, Barry, Liverpool and Cardiff saw street fights, vandalised properties and five people killed. Thousands-strong white working-class crowds in these port towns directed their anger at black and minority ethnic communities, blaming colonial workers – whose numbers had increased to meet war time shipping needs – for post-war job shortages.

The sense of menace and the lingering effects of racism continued into the 1920s was most evident in the comments of the immigration official E.N. Cooper, who wrote to the Home Office after visiting an employment centre for seamen: ‘…we found ourselves the only white men in a surging sea of 500 negroes pressing around us offering their services, assuming that I was the ship’s captain who had come into the room to engage a crew’.

The 1919 riots were one of the most severe incidents of unrest in 20th century Britain. Known as ‘race riots’, they came to national prominence via the newspapers of the day, making many aware of the presence of black and minority ethnic communities in Britain. The coverage was often hostile and racist in tone, suggesting that the problem of communities unable to mix was long-standing.

However, census records from 1911 provide a more complex picture. While there were occasional incidents of racial tension, reports testify to a spirit of co-habitation as mariners of many different races and cultures settled with White British women to bring up their families. Before the war, major port cities like Cardiff and Liverpool were international trading centres and home to established black and minority ethnic seafaring communities. They expanded during the war as workers from the colonies were recruited to meet increased demands from shipping. When peace came, the shipping industry contracted and all British workers were affected, including White merchant sailors returning to their home ports after serving in the armed forces. Inflammatory press reports at the time, however, traced the outbreak of the Cardiff riots to widespread racist attitudes towards mixed-race couples, as much as to resentment about rising unemployment.

In February 1919, the Home Office responded to concerns about rising levels of unemployment in British seaports by launching a repatriation scheme to return black and Arab colonial workers to their countries of origin. Local repatriation committees were established in port towns that had experienced riots to promote the scheme. Despite penalties for not taking part, many refused to participate, feeling Britain was their home. The continuing crisis led the government to offer £5 plus £1 voyage allowances to anyone who participated. The Colonial Office, however, were keen that married couples where the husband was black and the wife white should not be repatriated, fearing it would upset the existing social order in the colonies they were removed to.

On one level it was matters of ethnicity that triggered the ‘race’ riots. However, the historian Jacqueline Jenkinson urges caution in seeing the riots as purely a matter of racism and prejudice. She asserts that time and place are very important to keep in mind. In South Shields, Glasgow and Hull, job competition just after the war played a significant role in the disturbances. In Cardiff and Liverpool, where there were far larger and more settled black and Arab communities, race played a more significant role, fuelled by concerns in the media and amongst the public about interracial relationships.

In addition, any analysis of the rioting in 1919 and its fallout needs to take into account other factors. These include:

  • The post-war psychological trauma of returning service personnel.

  • The significant financial depression, which saw a spike in unemployment.

  • The expansion of the franchise (the right to vote), which meant that politicians needed to placate working class voters at the same time as meeting the threat of increasing industrial militancy and the fear of Bolshevik revolution.

  • Women were emboldened by their experience of war service, leading to significant changes for post-war society.

  • Finally, the ill-defined nature of Britishness further fuelled disputes as to who was British and who was not.

Definitions/Language

  • 1834 J. de Sismondi Let. 29 July in H. E. Litchfield “Emma Darwin” (1904) I. xviii. 364 I trust that the sea air will do for her what I have a feeling it must do for everybody, cure them of all ails.

  • During Shakespeare’s time, the literature on botanicals and herbs was published in Greek and Latin, so referring to them was also a way to assert an intellectual status.

    Plants also reveal Shakespeare’s “unmatched skill for creating metaphorical connections and interweaving substantive philosophy,” Quealy writes. For example, in The Comedy of Errors, Adriana says, “Thou art an elm, my husband, I a vine, / Whose weakness married to thy stronger state / Makes me with thy strength to communicate.”

Further Reading Recommendations

  • The Splendid and the Vile

  • Film Propaganda in Britain and Nazi Germany

    In Film Propaganda in Britain and Nazi Germany, Jo Fox compares how each country exploited their national cinema for political purposes. Through an investigation of shorts and feature films, the author looks at how both political propaganda films and escapist cinema were critical in maintaining the morale of both civilians and the military and how this changed throughout the war.

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